Clement-Jones family 12/22 - Person Sheet
Clement-Jones family 12/22 - Person Sheet
NameHumphrey Richard Adeane “Humph” LYTTLETON , 10471
Birth1921
Death2008
FatherGeorge William LYTTLETON , 10467 (1883-1962)
MotherPamela Marie ADEANE , 10468
Spouses
Birth1933
Death2006
ChildrenStephen , 10473
 David , 10476
 Georgina , 10477
Birth1929
FatherJohn Wellesley GASKELL , 10478 (1901-1940)
MotherOlive Elizabeth BAKER , 10479 (1902-1990)
Marriage1948
ChildrenHenrietta Marie , 10475 (1949-)
Notes for Humphrey Richard Adeane “Humph” LYTTLETON
Humphrey Richard Adeane Lyttelton (23 May 1921 – 25 April 2008),[1][2] also known as Humph, was an English jazz musician and broadcaster, and chairman of the BBC radio comedy programme I'm Sorry I Haven't a Clue.[3] He was a cousin of the 10th Viscount Cobham and a great-nephew of the politician and sportsman Alfred Lyttelton, who was the first man to represent England at both football and cricket.

Early life and career

Lyttelton was born at Eton College, Buckinghamshire, where his father, George William Lyttelton (second son of the 8th Viscount Cobham), was a house master.[4] (As a male-line descendant of Charles Lyttelton, Lyttelton was in remainder to both the Viscountcy Cobham and the Barony of Lyttelton.) From Sunningdale Preparatory School, Lyttelton duly progressed to Eton College. At Eton, Lyttelton fagged for Lord Carrington and formed his love of jazz. He was inspired by the trumpeters Louis Armstrong and Nat Gonella. He taught himself the instrument, and formed a quartet at the school in 1936 that included the future journalist Ludovic Kennedy on drums.

After leaving school, Lyttelton spent some time at the Port Talbot steel plate works in South Wales, an experience which led to him becoming what he termed a "romantic socialist". After being called up for war service, he served in the Grenadier Guards, being commissioned as a second lieutenant on 29 November 1941,[5] and seeing action at Salerno during Operation Avalanche when he came ashore with his pistol in one hand, and his trumpet in the other.[4] On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance; the BBC recording still survives.[6] Following demobilisation after World War II, he attended Camberwell Art College for two years.

In 1949, he joined the Daily Mail as a cartoonist, where he remained until 1956. Several of his cartoons have recently been on display in various branches of the Abbey National bank, as part of their new advertising campaign.[citation needed] He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook.

The jazzman

Like many ex-servicemen, Lyttelton received a grant for further study. He went to Camberwell School of Art, where he met Wally Fawkes, a fellow jazz enthusiast and clarinet-player. It was Wally who, in 1949, helped him to get the job with the Daily Mail, at first writing the words for Flook, Fawkes's comic strip.

They had both joined the George Webb Dixielanders in 1947. Webb was an important catalyst in the British post-war jazz boom.[7]

In the late 1940s and early 1950s Lyttelton was prominent in the British revival of traditional jazz forms from New Orleans, recording with Sidney Bechet in 1949. To do so he had to break with the Musicians' Union restrictive practices which forbade working with jazz musicians from the United States. In 1956, he had his only pop chart hit, with the Joe Meek-produced recording of "Bad Penny Blues", which was in the UK Singles Chart for six weeks. As the trad jazz movement (not quite the same thing as revivalism) developed, Lyttelton moved to a mainstream approach favoured by American musicians such as trumpeter Buck Clayton; they recorded together in the early 1960s and Clayton considered himself and Lyttelton to be brothers.

By now his repertoire had expanded, including not only lesser known Ellington pieces, but even "The Champ" from Dizzy Gillespie's band book. The Lyttelton band — he saw himself primarily as a leader — helped develop the careers of many now prominent British musicians, including Tony Coe and Alan Barnes

In 2001, Lyttelton and his band added traditional jazz elements to the Radiohead song "Life in a Glasshouse" on the Amnesiac album.

On 11 March 2008, he announced that he would cease presenting BBC Radio 2's "Best of Jazz", after 40 years.[8]
On 23 July 2008, Lyttelton was posthumously named as BBC Radio 2 Jazz Artist Of The Year, voted by radio listeners.[9]

[edit]The Humphrey Lyttelton Band

Humphrey Lyttelton's eight-piece band featured, aside from himself on the trumpet and clarinet: Ray Wordsworth on the trombone; Jimmy Hastings on the alto sax, clarinet and flute; Jo Fooks on the tenor saxophone and flute; Rob Fowler on the tenor sax, baritone sax and clarinet; Ted Beament on the piano; John Rees-Jones on the double bass and Adrian Macintosh on the drums. Following his death the band continues to give concerts performing his music. The trumpet part is played by Tony Fisher with occasional guest spots by Sue Richardson.

The band maintained a busy schedule, frequently performing sold-out shows across the country. Performances occasionally included a guest singer, or a collaboration with another band. During the 1990s the band toured with Helen Shapiro in a series of Humph and Helen concerts. They also featured in several Giants of British Jazz tours with Acker Bilk and George Melly and John Chilton's Feetwarmers.
Lyttelton had a long established professional relationship with UK singer Elkie Brooks. After working together in the early 1960s they rekindled their working partnership in early 2000 with a series of sold out and well received concert performances. They released the critically acclaimed album Trouble in Mind in 2003 and continued to perform occasional concerts in support of this work.
[edit]Radio personality

From 1967 until April 2007, Lyttelton presented The Best of Jazz on BBC Radio 2, a programme which featured his idiosyncratic mix of top-quality recordings of all ages, including current material. In 2007 Lyttelton chose to cut his commitment to two quarterly seasons per year, in order to spend more time on other projects.


Humphrey Lyttelton and producer Jon Naismith during a 2005 recording of I'm Sorry I Haven't a Clue at the Edinburgh Fringe
In 1972 he was chosen to host the comedy panel game I'm Sorry I Haven't a Clue on BBC Radio 4. The show was originally devised as a comedic antidote to traditional BBC panel games (both radio and television), which had come to be seen as dull and formulaic, and in keeping with the staid middle-class "Auntie Beeb" image. Lyttelton continued in this role until shortly before his death, and was famed both for his deadpan, disgruntled, and occasionally bewildered style of chairmanship, and for his near-the-knuckle double entendres which, despite always being open to an innocent interpretation, went much further than most BBC pre-watershed humour. ISIHAC's success had considerable influence on the manner in which comedy was presented on radio, and Lyttelton's persona was a significant part of that success: he was a straight man surrounded by mayhem. At the time of his death, Lyttelton was the oldest active panel game host in the UK, being two and a half years older than his closest rival, Nicholas Parsons.[10]

On Tuesday 22 April 2008 Lyttelton and the I'm Sorry I Haven't a Clue team were due to appear in the stage version of the programme at the Pavilion Theatre in Bournemouth. Due to his indisposition, his place was taken by Rob Brydon, but a pre-recorded message from Lyttelton was played to the audience ("I'm sorry I can't be with you today as I am in hospital — I wish I'd thought of this sooner!"). The panellists on that night were Tim Brooke-Taylor, Graeme Garden, Barry Cryer and Jeremy Hardy.[11]

As well as his other activities, Lyttelton was a keen calligrapher and President of The Society for Italic Handwriting.[12] He named his own record label "Calligraph" after this extracurricular interest. This label, founded in the early 1980s, not only issues his own albums and those of associates, but also re-issues (on CD) his analogue recordings for the Parlophone label in the 1950s. He is reported to have turned down a knighthood in 1995.[13]

Personal life

Lyttelton was married twice. His first wife was Patricia Mary (Pat) Braithwaite (b. 1929) whom he married on 19 August 1948. They had one daughter, Henrietta (b. 1949). In 1952, following his divorce, he married (Elizabeth) Jill Richardson (1933–2006), by whom he two sons and a daughter, Stephen (b. 1955) and David (b. 1958), and Georgina (b. 1963).
Despite his celebrity, he was intensely private. He designed his house in Arkley, Hertfordshire, with blank walls on the outside and the windows opening onto an internal courtyard. He hated using the telephone and kept his number ex-directory, changing it if anybody else discovered it. Given his dislike of the telephone, he communicated by post, including letters hiring and firing members of his band.

Illness and death

On 18 April 2008 Jon Naismith, the producer of I'm Sorry I Haven't A Clue, announced the cancellation of the upcoming spring series of ISIHAC owing to Humphrey Lyttelton's hospitalisation to repair an aortic aneurysm. Rob Brydon and others were asked to deputise for Lyttelton during the tour shows, but Lyttelton postponed his operation and managed to perform on all but the last night. A further email on 21 April 2008 reported that the BBC were "unclear precisely how long Humph's recovery period will be" but Lyttelton was "otherwise fine and in very good spirits".[14] Lyttelton died peacefully following his surgery on 25 April 2008 with his family around him.[1][2] BBC Radio 4 broadcast a 1995 episode of I'm Sorry I Haven't a Clue as a tribute on Sunday 27 April, and a retrospective programme presented by Kenneth Clarke on Wednesday 30 April 2008. Radio 4 celebrated Humphrey Lyttelton Day on Sunday 15 June 2008, including a new profile of ISIHAC by Stephen Fry called Chairman Humph — A Tribute.[1]

After his death, the controller of Radio 4, Mark Damazer, said: "He's just a colossally good broadcaster and possessed of this fantastic sense of timing. [...] It's a very, very sad day but we should celebrate and be very grateful for how much he did for Radio 4, really terrific."[2]

Responding to news of Lyttelton’s death, Radiohead guitarist Jonny Greenwood wrote on the band's blog Dead Air Space: "We were all sorry to hear of Humphrey Lyttelton's death — he was an inspiring person to record with, and without his direction, we'd never have recorded/released Life in a Glasshouse. So go and find "Bad Penny Blues", and celebrate his life with some hot jazz."[15]

Lyttelton was survived by his four children: a daughter from his first marriage to Pat Braithwaite, and two sons and a daughter from his second marriage to Jill Richardson. Richardson, to whom he had been married since 1952, predeceased him in 2006. His Humanist[citation needed] funeral took place on 6 May 2008 at the St. Marylebone Crematorium (which shares grounds with East Finchley Cemetery) in East Finchley, London.

On 25 April 2010, two years after Lyttelton's death, a celebratory concert entitled "Humphrey Lyttelton — A Celebration Concert" was held at the Hammersmith Apollo to celebrate his life, works and contribution to music.Singer Elkie Brooks and many prominent British jazz musicians appeared at the concert, along with panellists from I'm Sorry I Haven't a Clue. The event was organised and hosted by his son Stephen Lyttelton, who is also the founder and Chairman of "The Humph Trust", an organisation set up after his death to support young up and coming jazz musicians and to provide sponsorship and support. The event was opened by the 2010 winner of the Humphrey Lyttelton Royal Academy Of Music Jazz Award, Tom Walsh, who played Horace Silver's "Song for my Father" with his quintet from the Royal Academy of Music.[16][17]
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Last Modified 26 Aug 2012Created 4 Mar 2023 using Reunion for Macintosh